Articles Written By: jenn
musimelange presented singer Susana Behar and guitarist Jose Luis Rodriguez at The M Building for an evening of intertwined Flamenco, Sephardic music and Latin American songs to meet “At The Crossroad.”
Susana and Jose Luis brought you the finest of the three genres in a journey of traditional and contemporary aesthetics. The evening also included a collaboration with Nu Flamenco choreographer, Niurca Marquez.
Act 1: Spanish Wine Tasting & Sephardic Tapas by MG Events
Act 2: Flamenco, Sephardic music and Latin American songs ~ Susana Behar voice – Jose Luis Rodriguez, guitar – Niurca Marquez, dance ~
On Monday, March 31st at 7:30pm, musimelange hosted the Amernet String Quartet for an intimate chamber music concert, paired with food and wine tasting. You surely were taken on a journey from the moment you walked through the doors of the M Building showroom, comfortably nestled within the Wynwood Art District.
The evening featured works that were unfinished, or unpublished, at the time of a composer’s life.
Act 1: a wine & hors d’oeuvre tasting, specially chosen to pair the Grieg and Mendelssohn String Quartets.
Act 2: A fantastic redemption of Edvard Grieg’s String Quartet No.2, EG 117. and Felix Mendelssohn’s String Quartet No. 6 in F minor, Op. 80 performed by The Amernet String Quartet. “Lauded for their “intelligence” and “immensely satisfying” playing by the New York Times, the [ensemble] has garnered worldwide praise and recognition as one of today’s exceptional string quartets”.
Act 3: We enjoyed company of the artists while indulging in a dessert that complements the evening.
Lauded for their “intelligence” and “immensely satisfying” playing by the New York Times, the AMERNET STRING QUARTET has garnered worldwide praise and recognition as one of today’s exceptional string quartets. Ensemble-in-Residence at Florida International University since 2004, the group was formed in 1991 while its founding members were students at the Juilliard School. The Amernet rose to international attention after their first season, winning the gold medal at the Tokyo International Music Competition in 1992, followed by the grand prize at the prestigious Banff International String Quartet Competition in 1995. Their busy performance schedule has taken the quartet across the Americas, Asia, Europe, and the Middle East, and they have collaborated with many of today’s most prominent artists. Prior to their current position at Florida International University, the Amernet held posts as Corbett String Quartet-in-Residence at Northern Kentucky University and at the University of Cincinnati College-Conservatory of Music. Additionally, during 2004-2005 the ensemble served as the Ernst Stiefel Quartet-in-Residence at the Caramoor Center for the Arts. The Amernet has always been committed to the music of our time and has commissioned works from many of today’s leading composers, working closely with composers including John Corigliano, Toshi Ichiyanagi, Harold Meltzer, Morton Subotnick, and Dmitri Tymoczko. In addition, the Amernet is keen on exploring collaborative projects, and has recently appeared with famed cantor Netanel Hershtik, jazz pianist Steve Allee, Josée Garant Dance, and the Kruger Brothers. The Amernet actively advocates for neglected works of the past, particularly those by composers of the Jewish diaspora, and aims to enliven the concert experience through its innovative programming. Please visit www.amernetquartet.com for more information.
Veronica Hurtado’s Sweet & Tipsy alcoholic cupcakes are the first cupcakery in Miami to solely feature liquor-infused cupcakes.
Sweet & Tipsy has already been featured on Univision’s “Despierta America”, Telemundo’s “Buenos Dias Miami” & “Acceso Total”, SOiTV’s “Guarever Tudei” & on top blogs such as Refinery29, Thrillist, Miami Alive, the Miami New Times Food Blog, Adventures of the Foodaholic, as well as being named one of the top 10 alcoholic cupcake places in the country by Cupcakes Take the Cake.
Baked & delivered with a huge smile, Vero’s Sweet & Tipsy “cuptails” artfully combine the soft, scrumptious cupcake you love with a flavorful twist of your favorite liquors to give it a delightful kick that’s both sweet & tipsy, & inspired by your favorite cocktails.
The exceptional career of Philippe Entremont began at the age of eighteen when he came to international attention with the great success of his New York Carnegie Hall debut where he performed André Jolivet’s Piano Concerto and the Liszt Piano Concerto No. 1. Since then, he has pursued a top international career as a pianist, and for the last 40 years on the podium as well.
Philippe Entremont has directed the greatest symphony orchestras of Europe, Asia and America and has worked with the world’s most prominent soloists, both instrumental and vocal.
In 1976, Entremont was appointed principal conductor and lifetime musical director of the Vienna Chamber Orchestra with which he toured the world many times since. He was also Director of the New Orleans Symphony from 1980 to 1986. He served the Denver Symphony (now the Colorado Symphony Orchestra) as music director from 1986 to 1989. From 1988 to 1990 he was conductor of the Orchestre des Concerts Colonne in Paris, and in 1993 became principal conductor of the Chamber Orchestra of the Netherlands. Entremont also founded the Santo Domingo Music Festival, a biennial event attracting renowned artists to the Dominican Republic. He was one of 10 pianists performing at the 2008 Beijing Olympic Games in the “Piano Extravaganza of the Century.”
In the 2013-2014 season, Philippe Entremont guest conducted European and American orchestras as well as performed numerous piano and chamber music concerts. He also toured with the Vienna Concert-Verein in the United States.
He embarked on a world tour in the seasons between 2010 and 2013, with many orchestral tours including the Munich Symphony Orchestra, the Israel Festival Orchestra and the Deutsche Staatsphilharmonie.
Moreover, in the 2010-2011 season, he was named the Lifetime Laureate Conductor of the Munich Symphony Orchestra.
Entremont is an active teacher in addition to maintaining a busy concert schedule. He has been the President of the Maurice Ravel Académie and also took on the role as Director of the American Conservatory of Fontainbleau, formerly led by the legendary Nadia Boulanger.
Philippe Entremont was instrumental in the creation of the Chamber Orchestra of the École Normale Supérieure de Musique de Paris – Alfred Cortot, of which he is currently in charge.
Entremont has been on the juries of the greatest piano competitions in the world : ARD Munich, Santander, Chopin in Warsaw, Van Cliburn, Leeds, to name a few.
Being one of the most recorded artists in history, all of the Piano Concertos performed by Philippe Entremont under the direction of conductors such as Eugène Ormandy, Leonard Bernstein, Pierre Boulez, Seiji Ozawa and many more, recorded by Sony Music, have been reissued in a 19 CD box-set.
Commandeur of the Légion d’honneur, Commandeur of the Ordre national du Mérite, Commandeur of the Arts et Lettres in France, Entremont was also awarded by the Republic of Austria the Great Cross of Honour in the Order of Merit as well as the Cross of Honour in Science and Art.
Philippe Entremont’s first autobiographical book, “Piano ma non troppo” was published in 2014 by the Editions de Fallois in Paris.
Chihsuan Yang is easily one of the most eclectic, versatile, and gifted violinists actively engaged in the Chicago‘s music scene. With a firm grasp of a seemingly endless array of genres, Chihsuan performs in the styles of classical, experimental, world, free-improvisation, electro-acoustic, ambient, hip-hop, and rock to name a few, and has graced the stage with inspirational artists ranging from Brian Wilson of The Beach Boys, to Yo-yo Ma and the Dalai Lama.
Born and raised in Taiwan, Chihsuan Yang moved to the United States at the age of 15. After moving to Chicago, she obtained a BA in Violin Performance from DePaul University. Chihsuan’s principle teachers were Cyrus Forough and the highly acclaimed Ilya Kaler; the only violinist to win all three Gold Medals in the Paganini, Tchaikovsky, and Sibelius International Competitions.
As the co-founder of the classical quintet Accende, which includes a string quartet with clarinet, Chihsuan is also heavily involved in Chicago’s New Millennium Orchestra, while also playing in various other ensembles including the Illinois Symphony, Chicago Opera Theatre, Miami Symphony, Metropolis Symphony, Illinois Philharmonic, Ensemble Del Niente, International Chamber Artists, Access Contemporary Music, and many more. Although, her abundant presence in the chamber music scene does not end here.
As a long-standing member of the legendary, Chicago-based Corky Siegel’s Chamber Blues, Chihsuan has literally toured the world over and participated in such highly acclaimed stages and music festivals as the Montreal International Jazz Festival, Chicago Blues Festival, Chicago Jazz Festival, Lollapalooza, Feria de las Artes in Sinaloa, Mexico, SXSW Music Festival, and Festival de Musica de Camara in Aguascalientes, Mexico.
While her beloved violin generally takes the center stage, Chihsuan is also proficient at playing the Erhu (Chinese fiddle), Piano, and the Okinawa Sanshin (a Japanese stringed instrument) — a true testament to her extreme versatility as a musical performer. In 2006 Chihsuan was chosen to play the Erhu for the Dalai Lama during his public lecture at the Pritzker Pavilion in Millennium Park, Chicago.
When not touring with a wide selection of artists, Chihsuan is actively participating in high-profile, collaborative projects such as the Chicago production of the epic Sita Ram. This colorful collaboration between the Lookingglass Theatre, Natya Dance Theatre companies, and Grammy-nominated artist Jai Uttal took place at the much celebrated Lookingglass Theatre in Chicago in 2006. In December 2012, Sita Ram relaunched the original world musical at the Harris Theatre with reknown success.
Chihsuan also took part in a special performance of The Freedom Symphony at Chicago’s Harris Theatre in 2010, featuring two of India’s greatest and highly achieved musical legends: Dr. L. Subramaniam (Paganini of Indian violin) and Kavita Krishnamurti Subramaniam.
While being featured as a soloist in various concerts and symphonies, Chihsuan is also a founding member of the worldly sounds of Sappho’s Secret Love, a collaboration of original compositions with Winston Damon. She frequently performs with the flamenco band, Las Guitarras de Espana and Grammy nominated Soul/Folk/Rock artist Matthew Santos. Chihsuan also graced the stage with DJ Spooky, Grammy winning artist Lupe Fiasco, Lana Del Rey, and broadway star, Idina Menzel.
Chihsuan continues to work with a variety of world-reknown artists and is currently working on releasing her debut solo album, which is a mix of original World/Electronic compositions. Her many talents as an all-around musical force has persistantly served the metropolis’ cultural well being and will remain as prevalent as her love for music.
“out-of-this-world voice…abundance of soul.” -The Cornell Daily Sun
“He takes a driving beat and a pounding acoustic guitar and kneads it into something affirming and urgent.” -The Baltimore Sun
Matthew Santos has established himself as one of the most exceptional talents to emerge from the Chicago music scene in decades. With a voice consistently compared to that of the late Jeff Buckley and likened to a male version of Adele, he has been the subject of praise from such artists as Kimbra, Eddie Vedder, and John Legend. His highly acclaimed collaborations with Lupe Fiasco for which he received two Grammy nominations, have served to broaden international awareness of Santos whose own style is a unique, homegrown hybrid touching on alternative/indie-rock/soul and folk genres. The Chicago Sun-Times recognized Santos as an artist who is “organic and soulful and moody, full of interesting musical ideas and dripping with serious vocal talent.”
Santos says the musical diversity that marks his work is “the conflict of being a human being vs. being a brand. Obviously a human has multifaceted tastes. I’m trying to be as colorful on my palette as I can.” The painterly metaphor is one both well earned and underscored by personal experience.
Born and raised in Minneapolis, a six-year-old Matthew Santos started flirting with music by picking out melodic themes from movies and TV on his mother’s old piano. While growing up, Santos always saw himself becoming more of a visual artist and exhibited a potent talent for photo-realistic drawings, and a clear knack for painting. Ironically, it was at the age of 17, while attending Oxbow, an art school, that he rediscovered the raw immediacy of musical expression. His own true passion for singing and writing songs began to flourish. Spending more time with the guitar than the paintbrush, it became evident to Santos that his future in the fine arts was in question.
The decision to pursue music was codified when he relocated to Chicago in 2001 to study music composition at Columbia College. After a few years serving coffee, walking dogs, scrubbing toilets, moving furniture, and pursuing his studies at Columbia, Santos dove head-first into creative experimentation. He started a band and hosted what became a legendary, cultural melting pot of an open mic night at Gourmand, a coffee house near campus that exploded every Thursday with an incredibly eclectic line up of talent – everything from bag pipers to singer/song writers, slam poets to sitar players. Inevitably, Santos dropped out of school and took a soul-searching trip into the deep wilderness of Alaska.
It was in the midst of this reclusive and arduous journey that his life purpose became clear. When far removed from civilization and all its distractions, the one thing that mattered most to Santos was creating music. From that point on, his focus was dead set on making an impression — and hopefully a living — doing something he truly loved.
After cashing in his winnings from a 2005 “battle of the bands” showcase at Columbia, Santos self-released an EP titled As a Crow Flies the next year. During the time he was mixing the EP, Santos was introduced to an up-and-coming hip-hop artist named Wasalu Jaco (aka Lupe Fiasco) by a sound engineer who was a mutual friend. The two budding artists began their now-notorious collaboration that would grab the attention of an international, mainstream audience in the years to follow.
After the first official collaboration on the song “American Terrorist” from Fiasco’s debut album Food ‘n Liquor, Santos’ vocals were featured on multiple tracks on The Cool, Fiasco’s sophomore album which was Gold-certified and most widely recognized for the inclusion of the Grammy-nominated single “Superstar” featuring the vocal by one Matthew Santos.
With appearances on David Letterman, Jimmy Kimmel, Ellen, Craig Ferguson, TRL, and performances at Lollapalooza, Coachella, Glastonbury, Bonaroo, and the Video Music Awards as well as on a 56-date tour with Kanye West, Rihanna, and NERD, Santos’ world had undergone a drastic change with the worldwide success of “Superstar.”
While truly grateful for the mass exposure from the lime light of the Lupe collaboration, Santos was ultimately not content in simply being coined and branded as “Lupe’s hook guy”. “I like(d) ‘Superstar’ as a song, but it’s not me, I didn’t write it. I see the video and I’m like, ‘I’m not that dude.’ But it helps that it’s out there. It’s just another way people can get to me.” –Billboard.com
Once “Superstar” frenzy subsided, Santos returned to Chicago to continue working with his band. He was nominated for “Best Rock Entertainer” at Chicago’s 2009 Music Awards. The band — Aviva Jaye (vocals, keyboard), Robert Tucker (drums), Graham Burris (bass), Chris Gelbuda (lead guitar) and Matt Nelson (keyboards) – was named one of the Top Ten Bands To Watch by the Sun-Times, setting the stage for the release of 2010’s This Burning Ship of Fools.
In 2012 the release of Quickly Disappearing brought Santos back to his indie roots. The album reflects a concern for the environment that is heartfelt. The overall idea for the album revealed itself to him on his backpacking trip through Denali National Park in Alaska where he had gone to see a glacier. “All that was left was a layer of dirt on top of some snow,” he recalled. He decided to focus his music on the issue of climate change and the album is a result of that decision. “This album is me rediscovering my values — as an artist…as a human existing in a modern world, says Santos,. The title ‘Quickly Disappearing’ refers to the polar icecaps, how we’re affecting the planetary ecosystem, and global warming in general.”
With 2013 well underway, Santos has been focusing on a cultivating a fresh sound with a growing catalogue of brand new songs, while reviving/revamping some unreleased material in preparation for the next record(s) release slated for Fall 2013.
Musimelange opened its 2014 musical season with a one of a kind concert featuring the “Blue Lotus Trio” from Chicago.
The ensemble combines strikingly different backgrounds with Chicago Blues harmonica legend Corky Siegel, two time Grammy nominee indie-folk vocal star Matthew Santos, and Chihsuan Yang, virtuoso of violin and haunting Chinese erhu.
Corky Siegel was acclaimed by the Miami crowd during his last symphonic blues performance as a guest soloist on harmonica and piano with the Miami Symphony. He came back joined, this time, by outstanding artists to break musical and cultural boundaries, and create a fusion between musical genres.
Siegel prepared a medley of his reverent re-imagining of the blues which he’s become so well known for. Matthew Santos, recognized for the platinum selling hit, “Superstar” and Chihsuan Yang, who recorded with everyone from Brian Wilson of the Beach Boys to classical works of the masters will enrich the concert to only make it more enjoyable and eclectic.
The first and third act of the evening featured succulent hors d’oeuvres and desserts matching the ethnic backgrounds of the musicians, paired with a east meets west wine and beer tasting.
Act 1: Fusion Cuisine
Act 2: Blue Lotus Trio with